[Dialogue] {Disarmed} Re: {Disarmed} Re: Primary/Secondary Integrity in the movies
KroegerD at aol.com
KroegerD at aol.com
Wed Aug 29 14:50:38 EDT 2007
OK for 200 blades, he is released form a mental institution, solves an
abused woman's problem is a very straightforward way, and returns to the mental
institution. Sort of a Batman/Pimpernal event that reveals the truth about
life-- the future is open.
In a message dated 8/29/2007 1:36:48 P.M. Central Daylight Time,
FacilitationFla at aol.com writes:
Hi'yall
I just love this stuff. Maybe we should all share our analyses of the
transformation we see in art forms. I'm not very good at this but would love to
hear from others.
Cynthia
In a message dated 8/28/2007 5:17:26 P.M. Eastern Standard Time,
synergi at yahoo.com writes:
Just to stir the pot a little bit more (y'know it's hard to resist!):
There are two movie characters that come to mind in trying to understand
Primary and Secondary Integrity.
One uttered the famous line: "One hundred eleven fights and never took a
dive!" That for me is a good example of Primary Integrity that, in the
context/situation of the film, gets transformed. Ten points if you can guess the film
title.
The other guy is Professor Harold Hill. Seventy-six extra points if you can
name the title. Hint: he's a major scam artist. Second hint: it's a musical!
Basically Harold just wants to get laid, get paid, and hop the last freight
train outa town before he's tarred and feathered. (I know, it's coming, let
me think a sec!)
But here's what's amazing about the movie. Despite all his bad intentions,
the town gets permanently transformed, and Harold gets caught up in a brand
new reality (for him) and blows his exit.
So what's really going on here? You could say the whole town was imprisoned
by their xenophobia (google it) and gossip ("Pick pick pick, talk a lot, pick
a little more!").
And along comes this seductive, nasty guy whose only ethic is to prey on the
town's vulnerability (fear of "the telltale signs of corruption" and
appetite for a larger vision of something), screw 'em financially, and leave 'em
lying in their dust and disappointment.
But he believes in something, however impossible, reduced, or perverted ("I
always think there's a band, kid.") And something finally moves him to tell
little Winthrop (Ron Howard) the truth: yes, he's a liar, and no, he can't
read music (a very BIG hint!).
So what's this got to do with US? With Town Meetings all over Iowa (hint!)
and our global Band of Human Development Projects?
Well, we did borrow from this movie a song for the Gibson HDP, a rewrite of
'Lyda Rose' (HUGE hint!). And when the school board stopped squabbling,
learned to harmonize, and sang 'Lyda Rose'...sheer Spirit began to break loose and
transform everything.
So you could say that miracles happened despite Professor Hill's very shady
version of Secondary Integrity.
Roman Catholic theology has a very interesting view of this. Even the Pope
understands that he doesn't have to be a "good guy" to be the Pope--that is,
to be an effective mediator of divine grace. A "bad" priest--a pederast, for
example--is just as effective as a saint in bringing people into communion
with the divine in the Mass.
OK, so I'm not lettin' anybody off the hook here. Pederasts in the O:E
included.
But when we critique our crumminess, shortcomings, ethical lapses, and shady
integrity, let's not forget that Professor Harold Hill got used by the
Mystery, despite all his bad intentions.
And in that sense, you could put on your theological glasses and see in him
a Christ figure. Go figure.
Marshall Jones
Cynthia N. Vance, M. A.
Strategics International Inc.
Miami, Florida Office: 305-378-1327
Venice, Florida Office: 941-483-9165
_http://members.aol.com/facilitationfla_
(http://members.aol.com/facilitationfla)
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