[Dialogue] [Oe List ...] Trashing the Archives
frank bremner
fjbremner at hotmail.com
Wed Jun 27 02:23:47 EDT 2007
To David Walters and other archivists.
(1)
Thanks, David, for your well-structured letter about the various archiving
projects. I am in favour of all of them, for all their different purposes.
And I especially like the Repository as a place for an "ongoing canon" to
develop. [When writing liturgies for Catholic school use, I added something
from contemporary writings to reflect this "ongoing canon". Maybe heretical
according to someone in Rome but I stand my ground, and "can do no other". ]
Remember that quote from "The Journey to the East", where writing history is
seen as self-justfication? That quote has been used many times to counter
archiving efforts - yet Betty kept the JWM collection in shape - and
contains some wisdom but not all. I was pleased, following the events of
1984 and afterwards, to see reflective and interpretive comments about our
history appearing in the early versions of "Edges" and in the on-line
Dialogue. It meant that, as a movement in a very broad sense, we were
growing up into mature adulthood. But that's another conversation which is
proceeding still in conversations about O:E. EI and ICA.
(2)
In Australia we gathered together many filing cabinets when the Sydney ICA
office closed, and stored them in my garage. When archiving was later
generally seen as something more than just the quirky whim of a few
eccentrics and intellectuals, and Chicago started developing its CD, in
Australia we went the same direction.
Eccentrics and intellectuals (and historians, despite the quote from Herman
Hesse's book) had often cringed when piles of folders were consigned to the
fireplace eg when the ICA identity "took over" from the EI identity and lots
of records of local church projects were destroyed.
The above filing cabinets went to the home of Joan (Priest) and Michael
Firkins in the Adelaide Hills, with great views of the Adelaide Plains, St
Vincent Gulf - but also in territory with high bushfire danger - so we
wanted to deal with the stuff fairly quickly! Other circumstances: I had to
move house, and there was no room for the archives or working on them, and
the Firkins had an old room at the back of their carport for storing them
AND working on them. Eventually the need to tear down that old carport and
room, and hope that the possums in the ceiling foudn new homes in the
surrounding trees, also hastened our efforts.
We had many sessions, under the leadership of Katrin Ogilvy and others, in
which we ordered those archives. The headings and categories of the US CD
were used as an initial guideline. Then those with appropriate expertise
made the CD "Dreaming Tracks", covering the OE/EI/ICA history in Australia
to that date. It's not perfect by more recent standards (eg getting around
the CD, some mistakes, some almost unreadable scanned documents etc) but
that will have to wait for a second edition - sometime!
The archives themselves are now with the National Library in Canberra,
awaiting processing. The Library is a great building - Tom Schwartz and I
visited there late last year prior to a ToP Module 5 in Canberra.
(3)
Many (most?) Australian colleagues contributed sections or the whole of
their own archives to that Australian Library collection. I know a few
people, like myself, who have comprehensive collections for their local
regions. I have about 9 filing cabinets of material from 1968 onwards. It
includes a large collection of Community Meeting Australia and Walkabout
documents, probably rescued from the Adelaide ICA office when it closed.
(4)
Since the mid-70s I have had the vague, now much less vague, idea that
saving this stuff is important. It used to annoy me that people would quote
philosophers, theologians, social commentators and others at great length -
people who would work surrounded by documents etc etc - but who would then
put down any of our number doing the same.
My once vague idea had blossomed into a proposed PhD/book/publications on
the history of the OE/EI/ICA movement in Australia. "Dreaming Tracks" is a
start but I have wanted to do some of the underlying examination and
commentary that is now possiible. And when I was getting credits and
distinctions (even high distinctions) for academic work in educational
administration (in the 70s/80s), drama (2006 - work on Beckett, Sondheim,
Brecht etc), and theology (particularly sociology and christology) - then I
realised that I should not waste this talent.
I have my own ideas and analysis, but also want to include reflections of
others - I want to "map the territory of experience and opinion". So I will
be gradually chatting with (albeit at a distance at times) with Australians
who have been (and maybe still are) involved with the OE/EI/ICA movement -
in Australia and elsewhere - and non-Australians who have spent time here.
One thread I want to explore is how we "Australianised" the influences from
the USA and elsewhere, and the dangers of that. I remember David McLeskey
saying, in about 1974-75, that "you Australians need to be careful about
your casualness". A useful comment. I think that Australian is now a
player on the world stage, with that Australian egalitarianism and
casualness combined with lots of hard work, imagination and expertise.
(5)
Finally, did Chicago ALWAYS receive a copy of every document produced
anywhere? Is the Chicago collection "the big daddy of them all"?
Are there other OE/EI/ICA collections, gathered or dispersed in countries
other than the USA? Are there archives projects ocurring elsewhere, of
local materials etc, going back decades?
(6)
There's been a great British detective comedy series here called "New
Tricks", featuring Amanda Redman, Denis Waterman, James Bolan and Alun
Armstrong. It's about three retired coppers, of varying former ranks,
working on unsolved crimes from their days in the police force. Armstrong
is especially interesting - his character remembers who was where and on
what day of the week back when. It's like remembering who was at an RS-I
course in July 1968 - a propensity of which I am guilty!
Best wishes
Frank Bremner
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