Summer '72
Spirit Methods | ||||||||||
Type | ||||||||||
Rational Objective | Appreciate art form as medium for significant address | Reveal transparency of an ontological reality | Out to recover the humanity of Jesus, that his divinity can impinge on your life | Enable each person's grasp of his/her spirit journey by visit thru psalmist | See eschatological hero as objective primal sign | Posits one in the midst of the world to appreciate the word | ||||
Existential Aim | Experience one's own experience through art form | (Being flooded with images | To experience that means to be authentically human is to live over against that one and only final reality | Experience being humanness itself before the final mystery | Experience of echo or call from the other world | Experience yourself watching yourself waliing around in the experience | ||||
1. Spin master context getting in first question so they can brood on it before it's really asked.
2. 1st series of questions from same arena | Address: give
group a gimmick, then read scripture dramatically Locate the address: Find out where trip occurred, where felt | I
ntro |
| Intro | No context (presume an instant context - not after awe) | Intro |
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QU | 1. Objective | 3. Turning context to get around curve into another arena | heat, shuddered, and where went off into new universe | Read enough words for all to hear | ||||||
EST | 2. Reflective
3. Interpretive | 4. 2nd series of questions
5. Context | Intensifying Address: Takes only one person to break thru into the awe - & everybody is in it. Take | Tangential homily - shifts attention from words to questions | Ques |
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Method | IONS | 4. Theological
(or decisional) | 6. 3rd series of questions
7. Pearl is dropped 8. A few underscoring questions | one person & push, cajole
The transparency: You see thru - beyond seeing your journey which is the journey of all people, that your life at the bottom becomes objectively the life of all people | Ques |
| QUEST | What did you hear Jesus beholding in the other world out of which he said these words being read? | ||
From the center out | Journey of the preacher reconstructed | Taken by the hand to the center and out | ||||||||
Journey | Trialogue between teacher, artist and participant | Going downstream on a river in a canoe - suddenly hit
whirlpool |
| from his preaching | (Camera ready copy, of your interior)
(Scraping a copper-tooling) (Dream) (Burning off land) (Tornado) (Excursion) | |||||
Existential Image | ||||||||||
Up Front Stance |
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| 1. Key is to create frame with the dramatic, which will then focus and shove it through to the transparency |
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