CORPORATE LIFE SUMMER 73
CORPORATE LIFE SUMMER 73
OF RESURGENCE
THIS WORLD
STRUCTURE | The time in which we live is a moment of fullness of life in which man experiences being assaulted by being more than the experience of the assault by nonbeing.
Resurgence comes as "my cup runneth over", that is, life is almost more abundant than I can handle, and, so it is for every local man.
Life is wonderfilled: "It's great to be 40". The moon has been reached by man' "I'm glad I'm a woman." Everything bleeds with meaning.
Life is whole as it has never been before there are no more far away places I am one with every man on the human journey.
I know tomorrow 1s mystery, yet is birthed out of my decisions and I await like a child in wild anticipation grateful to be obligated to all.
The cabaret is an authentic disciplined sociological form for joy, that embodies the mingling of life and poetry. Cabaret is discontinuity possible only where authentic continuity (or engagement) is present.
The form of the cabaret celebrates sexuality and without falling into hedonism, celebrates the mysterious without falling into gnosticism, slays stoicism by enabling passions to become overt.
The cabaret celebrates the other world 1n the midst of this world by intensifying lucidity and projecting reengagement rather than occasioning a schizophrenic creation of a fantasy other world apart from this world.
Cabaret says "no more wallflowerism" and beckons participation even from those whose life has not been about "fun" pushing beyond their druthers into spontaneous ecstasy. Life, still more life rushes in. Cabaret is a planned, defined, limited structure that has assigned roles (M.C., actors, audience), which is symbolic of honoring defined life relationships (such as marriage, phases, etc.) |
CORPORATE LIFE SUMMER 73
GLORY OF LIFE
OF ABUNDANCE B. ILLUMINATED
TRANSPARENCY
C. TRANSFORMS IMAGES
IV. REHEARSAL OF SANCTIFICATION
EXPENDITURE B. DECISION TO BE
SUSTAINED
MENT THROUGH DETACH
MENT
POSSIBILITY | The cabaret is a form for making manifest the objective glory that life is.
Cabaret announces the indicative that this is a time of abundance: that life is full and good; sexuality and phraseology are to be embraced; the fulfilled life is dramatized.
Transparency is illuminated through cabaret as the mundane bursts with mystery and meaning. An invitation to participate in endlessness (in communion with God) is the hidden thread that holds the cabaret together.
Images are transformed from grimness to gloriousness self stories like "life is absurd" are transformed through the cabaret into "My God, life's Laughing at me"' My complex life is given back as fun as mysterious as inexplicably appropriate.
The cabaret occasions healing because it objectifies my lucidity and gives permission to live creatively in ambiguity the cabaret impacts with the possibility of living the real sociological situation.
The form of the cabaret is a sociological rehearsal of sanctification.
Cabaret manifests in a tangential form the decision to be expenditure by embodying passion and risking and selfgiving yet through comedy or farce never heavy selfsacrificing content: (example "Mein Herr).
Cabaret demonstrates the decision to be sustained by really putting on joy or grief or spoofing absurdity. (Example: "Money makes the world go round"). It also manifests the style of living in absolution rather than collapsing in guilt.
The cabaret allows intensified engagement through genuine detachment (not disengagement) delivering one to a nonchalant style new perspective new confidence in (direct or indirect) victory in life. The cabaret becomes a symbol of style possibility releasing bodily engagement and showing the way to stride with bold affirmation into the midst of life demonstrating in the mundane, endless fulfillment embodying joy. |
CORPORATE LIFE SUMMER 73
Eternal Joy
D. Euphoria
Metamorphosized
D. Judgement | Is transparent to its ability to call forth passionate engagement that breaks down the victimizations.
Music brings out the deeply entrapped passion and gives an initial hint of the tranquility possible within life.
The depth communication possible through music can freight the word that releases man to humanness and gives the hope of fulfillment.
The strategical impact on society is that of bringing about healing by naming the demons; dramatizing the new day, and freighting the mythology that sustains man in his hope.
The roots of the power of music lie in its ability to expose the awe and in moments of tingling fascination find the courage for participation.
The role of satire in cabaret is that of standing present to your life's situation with a stance of embracing it rather than attempting to escape.
The lucidity cf the world as tragically passing away is transformed to the only world I have and indeed the world that belongs to all and the passion for this vision is seen as other worldly.
Instead of standing defiant to the world not being responsible to man's desires, satire opens him to stand in humble affirmation receiving the word as universal benevolence.
Satire is used to demand alert decisions about the current social issues and gives man the courage to stand obedient to the urgency and move responsibly with passion. Satire is the vehicle that permits moving beyond the judgement to begin to formulate the community consensus and as such is a creative force in the birthing of the new corporateness. |
Embraced B. Sociological
Spoof C. Ontological
PutOn
D. Mercy
IV. THE DANCE IN CABARET: A. Yearning is
Made Presence B. Transcended
Passion C. Transfigured
Motivity
D. Release | The laughter of comedy gives permission for the decision of life that transforms the absurd to the strangely meaningful. The discontinuous breakingin of the comedy pro vices a vehicle to freight the word of possibility
and gives me permission to live the creative life. The intentional use of laughter to give attention to
the human folly of every man can be used to dramatize the absurd perfection of every man.
Laughing at the mysteriously given gives a detachment that permits the selfconscious naming of it as glorious.
One finds the humor of comedy as an agent for releasing the human creativity of man and a tool for ministering to society.
The dance provides the opportunity to dramatize the decision for engagement and provides the arena to act over against the fear of participation.
Like song and music, the dance has a beckoning nature but the greater sense of risk involved in the decision to participate delivers man to his passion for engagement. In the decision to risk the engagement man finds his selfhood emerging and creates a potential symbol of
his decision of expenditure. As more selfconsciousness is aroused, one finds a deep yearning to face the decision again and again which has a possibility of symbolizing the ever again
engagement of the sustained one. The dance provides the symbol of the fulfilled life style as permission is given to demonstrate an acting out of the passion for all. |
CORPORATE LIFE SUMMER 73
The Day II Corporate Solitary is a spirit timeline reflection on Day I.
It is to be done at the close of the Day II research session in the particular
group then working together on research. This will vary from day to day from
Guild to Team level.
The solitary allows a way of reappropriating
and deepening awareness, transparency and awe of the day, and
structurally articulates that a man of spirit does not sleep save
he has made selfconscious appropriation of the time the
Lord has given him.
(This may be done while the participants
are drawing their initial chart, or may be omitted, used as concluding
spin, etc.)
1. When we become persons of spirit,
bringing spirit out in every situation, we do it inside. First
we need to learn to do it on paper, with rationality. How to be
spiritually present to 24 hours a day? How to reflect overagainst
rational construct.
2. This exercise is kairotic interpretation
of what chronos is, interprets successiveness of momentbymoment
time in terms of what is happening to one's mysterious, deep,
great being.
1. Take sheet of paper, turn sideways, draw line across it, about 1/3 of way down from top.
2. Divide into 12 equal segments and number the breaks beginning with 5, going to 12, then 1 to 5 again. This is Day I. |
| (Can ask them to make notes on # 3 while doing # 1, 2) |