CHARTING
CHARTING IS: I. A Decisionmaking process
II. A LifeMethod
III, A Study Method
IV. A. Teachinq Method
Every person is always charting.
That is the given in life. Your rationality is always gridding and charting
what's going on. You may be doing it unconsciously, but you are gridding
across certain rational intuitions you have. The charting methoc is simply
trying to pull together your whole civilizing process ir terms of Western
man's Ui-image, and utilizing that process to the ''enth" degree.
This process of ordering
chaos so your whole psychological mechanism, your sociological and intentional
mechanisms are going on, is to participate in making decisions.
INTELLECTUAL BASIS OF THE
CHARTING METHODthis relates to the philosophical basis, and ties
in with the Academy and our finding the best course to begin with::
Sociology-History, with pre-dominance on the history pole.
A student is always a teller-of-tales,
or a history-makiing animal,
What you are doing in the
chcrting method in terms of your intellect is that you are deciding to
listen to another person say something, but you are listening in 20th century
fashionor scientifically, rather than just listening as if you
were just "happening to hear", This is an attempt to listen to
what the person is really saying.
The second arpect is the
participating in objectifying the limits of what is going on, so you can
objectify the limits of your current trialogue with the author, his document,
and that which he is pointing to. This means you participate in
a process similar to what goes on with what we tal2 about as the his'cory
processthis is sectored out so you have the objective type of
historian, the rational historian, and the intentional historian. This
process of charting as a study method, a life method, and decisionmaking
process has to do with all three. If you attempt to collapse any
of these three poles, the whole process has not been partipated
in in the 20th century study.
You can see that the objective
historian wants to find out what happened. The rational historian
wants to impose some pattern or rationality on history; and this rational
historian is talking about the intentional dimension of both of
these. You are the conscious participant in looking at what you observe;
putting rationality on what you observe; and you cannot collapse ary of
those three.
Your intellectual basis
of the chartinq method ties in immediately with imaginal education,
or in the decisionmaking process. You have to have an image between
your idea and your action. No one ever got anything done without a practical
operating irnage of his action which participates in both his picture of
the Future and his participation in his images out of the past. T'hat refers
you back into our whole construct in which a person creates a model in
the present moment, out of his anticipation of the future, which throws
him back to pick. up what he has out of the past in order to create that
model so he can flow into the future as a decisionmaking person.
How does this apply, then,
to the process of charting. First of all, chart-makiing intellectually
involves. both the inductive and deductive processes of reasoning. That
is fairly obvious. Your chaos is going on below the line. Above the line
what you put is your superimposition of your rationality, and your
dialogue with the rationality of the author in order to create that superstructure
above the chaos so you can see what is actually going on through
the eyes of that rational pattern you placed upon it. The intentional
dimension is that of interpretation of that.
Or if you applied it or contrasted
it, or compared it with the humnaization process, the art form methodology,
this, of course, is the impressionistic dimension of the art form process.
If you were dealing with induction and deduction alone and at the process
of deduction being like Charlie Chaplin or Sherlock Holmes do you see how
you would impose rationality upon them. I see such-and-such going on in
the life of this person therefore this-and-so must be his or her motives
for doing this crime. Your rational perspective on the situation shows
you what is going orr in the objective dimension.
The intellectual basis shows
you the limits of what is going on.
PSYC HOLOGICAL BASIS OF THE:
CHARTING METHOD I like to use the.followng gimmick to keep these
in .mind. The psychological basis is pointng to your possibilities and
limits. What are the possibilities in my limits? This has to do predominantly
with the psyche, or the way the psyche functions. You will notice, for
example, when the motionpiccure industry was threatened by television
whose screen is like the postagestamp screen of the early motion
picture that did not create a larger square screen but a horizontal picture
to point psychologically that you contain ifinite number of imaginal pictures,.more
horizontal than vertical, because your hands and eyes, through which you
get `'our most dramatic images beaming to you on a horizontal basis. In
moving your head horizontally you are attempting to get yourself a centimeter.larger,
wider, picture of what is going on. In ou: work, of course, we would have
to point out the depths and heights of that too; but your predolr~nant
images are held horizontally more than the updown outlininq
images,
Also, in your charting method
you are participating psychologically with possibilities of natural curiosity.
When you see a given crossword puzzle, and it is halfworked, your
natural curiosity, I suggest, is to want that filled out. You are cooperating
with your psychological tendencies to be curious about that type of game.
Another aspect, is that charting
is like meeting a person you never meet another person so that
you have his whole life timeline from the day he was born until he
dies. You meet him as he is at a given moment, and you start a conversation.
For example, in the Tillich paper you meet Paul Tillich at a given point,
describing a given reality to which he is going to speak. I do not need
to know everything that went on in his life before or everything afterwards.
I need predominantly to meet him saying what he has to say right then.
THE LIFESTYLE OF THE
PERSON STUDYING You are in the process of placing the selfconsciOus
demand upon yourself to transcend your chaos, not to actualize your situation.
You are participating in your life style in saying that my job is not to
actualize this but to have an openended dialogue. Therefore,
always having to transcend what is going on as I create the superstructure
out of a given paper . In terms of teaching, you are not interested primarily
in the concrete answer a person gives about a given issue, or an answer
the person can give in the conversation though that is part
or the seminar and conversation. What you are interested in is that he
is grappling with the context of what he is saying.
As a pedagogue, you should
be pleased when people are grappling with the context, rather than
whether they come up with the answer you have, although that participates
in it. You should be delighted when the people are trying to figure out
the context in which something is being said, and especially when they
are trying to figure out the context out of which one of their colleagues
around the table is grappling.
This ties in with the EXPRESSIONISTIC
DIlMENSIONOF THE STUDY AND LIFE METHOD In other words, this
method tries and does participate in the whole aspect of beiny a person
who, imaginally speaking, has chaos to bring that chaos to order; or you
are participating with a decisional being.
Important to emphasize in
teaching is the concretizing dimension of this. We need to find ways and
means of enahling people to see why these particular gestalts organize
the chaos of his life; and to see that he has the handles, the tools, by
which he can think through the chaos in his life. If he just has this little
"pimple" that popped up in his life which delighted him, made
him happy or sad, then you are failing as a teacher. You want him to participate
in the entire process that organizes his chaos.
(ACTUALIZE: to freeze, crystallize,
let this situation be final; therefore, I won't have any more problems
(back to the womb). Because of: man's consciousness of his consciousness
he is constantly dsemanded by life to transcend every transcendence he
had before.)
Joseph Pierce